In 2024, I, Stephen Melillo, received a third Pulitzer Prize in Music nomination for "Holodomor," won "Best Cinematic Soundtrack" at the New Age Radio Music Awards, and earned the LIT Songwriting-Audio-Music-Book Narration & Score Award for "Excerpts from the Ahab & Death to Moby Dick Love Stories."
My career is distinguished by numerous international music awards and a vast portfolio of over 1,360 compositions, including four symphonies, several concerti, and more than 45 hours of music for Ensembles of the 3rd Millennium™. My Symphony IIII: Lightfall was nominated for prestigious music awards, showcasing my dedication to the craft.
In 2009, I won an award for my 2005 Visualized Concert, Kakehashi: That We Might Live, which was also nominated for the Pulitzer Prize in Music. In 2019, I received accolades for my work on the feature film One Little Finger, produced by Rupam Sarmah, and for my contributions to Reckoning of Darkness, produced by Christopher Kulikowski. My 15 feature film scores include the Academy Award-nominated.
Through STORMWORKS, my self-publishing entity, I have achieved widespread recognition with thousands of worldwide renderings purely through word-of-mouth. I have 53 albums and nine books available on various streaming services, along with novels such as Only for Now, Nogard & Dragon, Ahab, a Love Story, and its sequel, Death to Moby Dick, a Love Story. Additionally, I serve as an Honorary Board Member of the Kampot Cultural Development Institute of Cambodia (KCDI).
Recognition is always a form of "vindication". It means that your work is not only noticed but appreciated on a worldwide level by peers and experts.
My work is pervasive, everything from early games to symphonies. It serves one purpose: to inspire all who listen and play it to realize that we are all Brothers and Sisters in the same Storm, and the same return to Light.
Bach, Mozart, Mahler, Korngold, Jerry Goldsmith, Duke Ellington... to name only a very small few. They taught me to "hear" the world that I see.
There are way too many! Sharing just one, I discovered Gustav Mahler’s Music at age 16. I sat in a car by the water's edge and listened to one 20-minute excerpt from the 10th Symphony 100 times in succession. Each time, the Music was “new,” the plunge into the Soul, deeper.
In 2005, 30 years later and en route to Japan to record the Chapter 5:8 World History-making CD Set, “Writings on the Wall,” I did the calculation and yes, I had listened to Mahler for 33.333 uninterrupted hours. It was a chilling moment to discover that fact a Lifetime later while on a plane over the Pacific.
That we are all Brothers & Sisters on a Great Adventure.
In a world where music often serves as a soundtrack to our lives, I aim to create masterpieces that not only entertain but also provoke thought and evoke genuine emotion. My music bridges diverse genres and influences, pushing boundaries, inspire, and empower.
When at the premiere of Kakehashi: That We Might Live, at the annual gathering of ex-POWs from WWII in the Pacific, many of the Veterans stood, with tears in their eyes, from their Wheelchairs, to offer an applause of the Heart.
CDs are a thing of the past, and I’m not sure I’ve fully adapted. While I’ve always been at the forefront of technological advancements, even pioneering innovations in Music Education, the way people are changing due to technology feels increasingly isolating.
The use of new instruments, new processes, new delivery methods.https://www.youtube.com/watch?v=MQJ-irP5IAY
It depends on who is offering the criticism and their intention.
My latest work is entirely my own creation, originating from the novels I wrote. These novels were then transformed into audiobooks, which I subsequently scored with music and dramatic elements.
I used to connect with my audience through magazines, but now I focus on Facebook and LinkedIn. LinkedIn generates more impressions for me, though I'm still navigating Facebook's algorithms.
I will be scoring a film and writing my 5th Symphony.
I think that the current artists of today are doing a fantastic job!
If you can't live without pursuing it, go for it—but be prepared for more downs than ups.
STORMSITE: https://stormworld.com/
STORM TRACKS: (for over 48 hours of Music) https://stormworld.com/tracks
LIBRETTI: https://stormworld.com/digital-libretti
BIO: https://stormworld.com/bio
BIO WIKI: https://stormworld.com/wikipedia-entry-with-images
YOUTUBE CHANNEL: https://www.youtube.com/c/StephenMelilloSTORMWORKS
More Films at Vimeo: https://vimeo.com/stormworks
Facebook: https://www.facebook.com/StephenLMelillo
Linkedin: https://www.linkedin.com/in/stephenmelillo/
Soundcloud: https://soundcloud.com/trialbystorm
AUTHOR PAGE at AMAZON: https://www.amazon.com/author/stephenmelillo
Complete BIO: [Stephen Melillo Bio] https://stephenmelillo.com/bio
WIKI Entry: [Wikipedia Entry] https://stormworld.com/wikipedia-entry-with-images
Digital Libretti: [Digital Libretti]https://stephenmelillo.com/digital-libretti
Amazon Author Page: [Stephen Melillo on Amazon]https://amazon.com/author/stephenmelillo
Yes! It's truly been an honor to be part of LIT's illustrious winners and I dearly hope recognition will provide vindication and the motivation to keep moving forward.
Read more about this interview with Emma Constance from the United States, the Platinum Winner of the 2024 LIT Music Awards.