An Eye for Light & Form | Insights from Franco Casaccia

I didn’t study photography formally; I studied architecture. My background in design and structure shaped the way I approach photography. My first exposure to photography came from my father and grandfather, who ran a print shop. They would take and develop photos for clients—mostly of agricultural machines—and this gave me an early appreciation for the craft.

I don’t recall the exact first shot, but I have vivid memories of using my father’s camera to take family pictures. Those moments were simple but formative—they taught me how powerful a photo could be in capturing and preserving a memory.

I use a Nikon Z6. It’s a versatile tool that adapts well to the kind of architectural and environmental work I do.

I want to use photography to highlight architecture in a way that tells stories. It’s not just about the structure but about how it interacts with light, space, and the people around it.

“Thanks, but we already hired a professional.”

At first, it stung, but later I realized it was the push I needed to refine my skills and trust my abilities. Sometimes rejection carries an unexpected compliment within it.

Architecture is always my starting point. Buildings are more than structures; they hold stories of people, history, and culture. I find inspiration in the light that interacts with forms, the textures that evoke emotions, and the spaces that communicate something beyond their function.

It’s incredibly humbling to have this recognition. It feels validating to know that the way I see and interpret the world through my lens resonates with others. For me, it’s also a chance to reflect on how far I’ve come and to appreciate everyone who has supported me along the way.

The project I submitted focuses on how light and shadow transform spaces and bring out their essence. I entered it because I felt it told a story that is deeply personal yet universally relatable—it’s about the beauty of everyday moments within extraordinary spaces.

It has opened doors to conversations I wouldn’t have had otherwise. It’s not just about visibility but also about connections with people who value and understand my perspective. It has given me the confidence to keep pushing my creative boundaries.

Iwan Baan and Marcus Bredt. Both have a way of capturing architecture that goes beyond the physical structure, showing the life and emotion within it.

“Good things take time.”

It’s simple but true. Patience and consistency are essential in this field.

Start by observing everything around you—light, texture, perspective. Don’t get too caught up in gear or perfection. The most important thing is to be curious and persistent. Experiment, fail, learn, and keep going.

Success is relative. For me, it’s about staying true to what excites and challenges me. If I had to give advice, I’d say find your own voice and stay patient. Creativity takes time and often flourishes in unexpected ways.

By being willing to listen and observe. I try to keep learning—whether it’s by studying other photographers, visiting exhibitions, or just walking through a city and noticing something new. Staying curious keeps me grounded and open to growth.

I’d just like to say that photography has been a journey of constant learning and growth for me. It’s not just about capturing images but about connecting with the world and finding meaning in everyday moments. I’m grateful for the opportunities to share my perspective and for the people who have supported and inspired me along the way.

Thank you for the chance to reflect on my work—it’s been a meaningful experience.