Ali Afsarpour | London Design Awards
Ali Afsarpour, born in Tehran, Iran is a seasoned designer with over 25 years of experience spanning roles such as graphic designer, art director, and creative director. As the Chief Design Director at Daria and the author of Graphic Design for Advertising, he views design as a universal tool for solving life's challenges creatively, transcending traditional boundaries to inspire innovation in every aspect of life.
I am Ali Afsarpour, born in Tehran, Iran, in 1977. I studied graphic design and started my career working with several design companies and advertising agencies. Over the years, I have worked in roles like graphic designer, art director, and creative director. Right now, I run my own freelance design office, but I also work full-time as the Chief Design Director at Daria.
I have been fortunate to win several international awards in graphic design and wrote a book, “Graphic Design for Advertising”, published in Persian. After 25 years in the industry, I just call myself a “designer” without limiting myself to one specific field.
To start with, I don’t really consider myself an artist. I think art and design are two different fields. As for why I became a designer, in the beginning, it was because design felt simple, exciting, and a bit magical to me. But over time, that reason has changed.
Now, design is not just something I love, it has also become a central purpose in my life. I live to design, according to my own interpretation of it. I will explain more about how I define design later for you.
Daria is a brand under “Multi Ways International”, a company focused on the research, development, production, and sales of smart objects. So far, we have launched two mobile phone models including our own DariaOS, an operating system based on the “Android Open Source Project".
The mobile phone that won the London Design Award is actually our upcoming product launch in January 2025. My role at the company is to guide the design direction and ensure everything aligns with our goals.
Definitely. Iran’s artistic history holds a strong emphasis on attention to detail, harmony, and symmetry, which is evident in everything from carpets to architecture. Growing up in such an environment leaves a lasting mark on you. It becomes part of your DNA. That said, I am not a fan of forcing traditional elements into modern designs, it often feels fake and unnecessary.
Instead, I believe those cultural influences naturally show up in your work if you let them flow. During this project, we aimed to create something original but still balanced, without overusing traditional motifs. Hopefully, we succeeded.
The biggest challenge was navigating unfamiliar territory. We were experimenting with new materials and production methods, and sometimes things didn’t go as planned. There were moments when we had to repeat processes over and over to get them just right. On top of that, we were working under tight deadlines and had to keep production costs in check.
Another challenge was the way mobile phone cameras are usually arranged. I have always found their placement awkward, so we wanted to find a better solution. Of course, once we started, we realised why most companies stick to their weird layouts. It is not easy to arrange cameras while considering the internal components. But we took on the challenge and, thankfully, succeeded.
1. It is never boring. Every day brings new challenges, ideas, and discoveries.
2. It allows me to lose myself in the process. When I am designing, the rest of the world fades away, and it is just me and the work.
3. I love the creative energy of the people in this industry. Designers tend to see the world differently, and that perspective is refreshing.
The rapid growth of technology, especially AI, is going to change the design industry significantly. There is a lot of talk about AI replacing designers, but I am not worried about that. What interests me more is how these advancements will reshape life, human needs, and society as a whole.
We are living in a pivotal moment in history, and it is exciting to imagine how design will evolve to meet the challenges of this new world. I am optimistic about what the next decade will bring and glad to be a part of it.
The entire world is your resource. Designers should not limit themselves to books, websites, or most importantly AI tools. They are all helpful, but a good designer should have a broad understanding of almost everything, like art, science, technology, and don’t forget to spice it up with a little sociology and psychology. They will help you understand people better, which is the key to a good design.
Most importantly, learn how to use your tools which are “your senses and your mind”. Being observant, curious, and analytical is key. If you master those skills, you will always find inspiration.
Yes, I would like to mention that this award wasn’t just about me, it was a team effort. I worked with a group of talented and hardworking people who put in so much effort to make this happen. This award belongs to all of us.
I would like to thank my team: Pooya M Zonooz, Pedram Harby, Mehrdad M Zadeh, Aboozar Alavitabar, Erfan Abdi, Ali Akbar Bakhshi, and Shokoufeh Rezapour, as well as our partners at Coosea Co. who helped us bring the product to life.
Daria bond II | London Design Awards
Ali Afsarpour, born in Tehran, Iran is a seasoned designer with over 25 years of experience spanning roles such as graphic designer, art director, and creative director. As the Chief Design Director at Daria and the author of Graphic Design for Advertising, he views design as a universal tool for solving life's challenges creatively, transcending traditional boundaries to inspire innovation in every aspect of life.
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